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Books by Satyajit Ray
Cover designed in 1965 by Satyajit Ray for his own first collection of science fictions featuring Professor Shonku
Satyajit Ray authored a large number of books, in both Bengali and English. Good amounts of his writings still remain to be published in book form. His books have been translated worldwide in English, German, Japanese, Italian, Polish, French, Spanish and many regional Indian languages.

Science Fiction
Professor Shonku, Newscript, Calcutta, 1965.
   
Professor Shonkur Kandokarkhana (Professor Shonku's Deeds), Ananda Publishers, Calcutta, 1970.
   
Sabash Professor Shonku (Bravo Professor Shonku), Ananda Publishers, Calcutta, 1974.
Another ‘Shonku'-cover, created by Ray 1980 with strips of papers cut from periodicals of various languages of the world

Mahasankate Shonku (Shonku in Great Crisis), Ananda Publishers, Calcutta, 1977.
   
Sayang Professor Shonku (None Other than Professor Shonku), Ananda Publishers, Calcutta, 1980.
   
Shonku Ekai Aksho (Shonku, Worth a Hundred of Then by Himself), Ananda Publishers, Calcutta, 1983.
Cover designed by Sandip Ray in 1993 with strips of papers pasted on a globe

Punashcha Professor Shonku (Shonku Once Again), Ananda Publishers, Calcutta, 1993.
   
Selam Professor Shonku (Hats Off, Professor Shonku), Ananda Publishers, Calcutta, 1995.
   
Shonku Samagra (Complete Professor Shonku Stories), Ananda Publishers, Calcutta, 2002

Mystery & Adventure


Cover designed by Ray in 1970
for his second full
length mystery novel,
‘ Trouble in Gangtok'.
Badsahi Angti (The Emperor's Ring), Ananda Publishers, Calcutta, 1969.
   
Gangtoke Gandogol (Trouble in Gangtok), Ananda Publishers, Calcutta, 1971.

Sonar Kella (The Golden Fortress), Ananda Publishers, Calcutta, 1971.
   
Bakso Rahasya (The Mystery of the Box), Ananda Publishers, Calcutta, 1973.
   
Kailase Kelengkari (Chaos in Kailas), Ananda Publishers, Calcutta, 1974.
   
Royal Bengal Rahasya (The Royal Bengal Mystery), Ananda Publishers, Calcutta, 1975.

Cover showing a street in Hong-Kong created with patches of solid colours
( Tintoretto's Jesus).
Joi Baba Felunath (Glory to Felunath), Ananda Publishers, Calcutta, 1976.
   
Feluda and Co , Ananda Publishers, Calcutta,1976.
   
Gorosthane Sabdhan (Caution in the Graveyard), Ananda Publishers, Calcutta, 1979.
   
Chhinnamastar Abhishap (The Curse of the Headless Goddess), Ananda Publishers, Calcutta, 1981.

Hatyapuri (The House of Murder), Ananda Publishers, Calcutta, 1981.
   
Jato Kando Kathmandute (All the Trouble in Kathmandu), Ananda Publishers, Calcutta, 1982.
   
Tintorattor Jishu (Tinteratto's Jesus), Ananda Publishers, Calcutta, 1983.

Blue is used to express night as the climax occurred in a cave at midnight ( Calamity in Kailas)
   
Feluda One, Feluda Two , Ananda Publishers, Calcutta, 1985.
   
Darjeeling Jamjomat (Razzle Dazzle in Darjeeling), Ananda Publishers, Calcutta, 1987.
   
Double Feluda , Ananda Publishers, Calcutta, 1989.

Effect of moonlight in a graveyard is created by using soft silhouettes in colour. ( Caution in The Graveyard )

Nayan Rahasya (The Mystery of Nayan), Ananda Publishers, Calcutta, 1991.
   
Feluda Plus Feluda , Ananda Publishers, Calcutta, 1992.
   
Bakso Rahasya (The Mystery of the Box), Ananda Publishers, Calcutta, 1994 (with an audio cassette of dramatization).
   
Robertsoner Ruby (Robertson's Ruby), Ananda Publishers, Calcutta, 1994.
   
Pahare Feluda (Feluda in the Hills), Ananda Publishers, Calcutta, 1996.
   
Kolkatay Feluda (Feluda in Calcutta), Ananda Publishers, Calcutta, 1998.
   
Feludar Saptakanda (Seven Cases of Feluda), Ananda Publishers, Calcutta, 1998.

A combination of two novellas : the detective's face is printed in two different colours. ( Feluda One, Feluda Two )

Feludar Punch (The Punch of Feluda), Ananda Publishers, Calcutta, 2000.
   
Feluda Ekadash (Eleven Cases of Feluda), Ananda Publishers, Calcutta, 2000.
   
Feluda Samagra (Complete Feluda Stories), in two volumes, Ananda Publishers, Calcutta, 2005
   
   
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