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Ghare Baire (The Home and the World), 1984
The bearded nationalist, Sandip, singing a patriotic song to Bimala and Nikhilesh
Production: National Film Division Corporation of India
Screenplay, Music and Direction: Satyajit Ray
Based on a novel by Rabindranath Tagore
Photography: Soumendu Roy
Art Direction: Ashoke Bose
Editing: Dulal Dutta
Sound: Robin Sengupta
Duration: 140 mins
Date of release in India: 14th January, 1985. Colour

Cast: Soumitra Chatterjee (Sandip), Victor Banerjee (Nikhilesh), Swatilekha Chatterjee (Bimala), Gopa Aich (Nikhilesh's sister-in-law), Jennifer Kapoor (Miss Gilby, English governess), Manoj Mitra (Headmaster), Indrapramit Roy (Amulya), Bimal Chatterjee (Kulada).
   
Awards
   
Best Bengali Film, New Delhi, 1984
Best Costume Design, New Delhi, 1984
   
Bimala's widowed sister-in-law, in all white, criticizes Bimala's dream for being liberated
Bimala waits on as her husband sits down to dinner
 
The Story
 
The action occurs in 1905, in the period in which Great Britain, represented by Lord Curzon, decided the partition of Bengal in order to separate the Hindus and Muslims. The populace mobilized against this project in the nationalist movement known as swadeshi , which called for a boycott of foreign-made goods, and in an insurrection which was subsequently suppressed. In this turbulent context, a rich couple, Nikhil and Bimala, who have remained faithful to the ideals of the Bengal Renaissance, receive in their home a friend, Sandip, a vehement anti-English nationalist. Encouraged by her husband to be a "modern" woman, Bimala is seduced by Sandip, before gradually recognizing the duplicity of his motives and behavior.
Nikhilesh having a conference on the impending riot between Hindus and Muslims

In this film, as well as in Devi (The Goddess, 1960) and Charulata (The Lonely Wife, 1964), Ray explores the cultural emergence of the idea of the "modern woman" in the upper class of colonial India, showing with striking sensitivity the pressures this new ideal placed on individual women whose self-identities were also moulded by traditional expectations.
Contributed by DKB and AKD Back Top
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Financed by Housing Development Finance Corporation Ltd